my interest in music is to create
a sanctuary of ephemeral delight
where the allure lies
in its temporary embrace
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In 2002, I stopped playing and performing music. While I occasionally
worked on music using a DAW, the process felt empty and stressful.
Hearing the same piece over and over became a bit much, and by the
time I finished a project, I didn’t want to listen to it anymore.
By 2019, my studio, only 100 square feet, was full of paintings and
drawings. It was becoming impractical. So, at almost 65 years old,
I decided to purchase a small synth. At least I wouldn't need extra
space to store recordings, just a jump drive.
The synth arrived unexpectedly on my late brother's birthday. One
thing led to another, and here I am, creating music again. I didn't know
much about the equipment available these days, so there was a lot of trial
and error. After a few years, I found the gear that produces a sound
that I enjoy.
In the past, I created and perform songs, typically three to five
minutes long. However, I needed to break away from that.
It became monotonous playing the same songs repeatedly,
with the audience anticipating familiar tunes.
So, I've decided to create a sonic environment - a predictable space.
Akin to visiting the beach, the forest, or a park. At the beach, for instance,
you expect certain beachy elements and a somewhat predictable atmosphere.
That's the kind of music I create now. Like visiting the beach, listeners can arrive
at any time and depart whenever they please.
My goal has been to be able to sit down and record an hour of music
without stopping. I figured, at the very least, I'd have new music to
listen to throughout the day, and it would be effortless to share it.
:)
Gear Info
Maximum Gear Setup
(in the order of the signal chain)
BOSS TU-3, BOSS DS-1, CBA Mood, CBA Condor, CBA Blooper, CBA Thermae,
CBA Onward, Strymon Brig, Strymon Cloudburst, Hologram Microcosm,
BOSS RC-5 then the signal goes out to amplification.
Minimal Gear Setup
(in the order of the signal chain)
BOSS TU-3, BOSS DS-1, CBA Blooper, CBA Onward,
Strymon Brig, Strymon Cloudburst, BOSS RC-1,
BOSS RC-5 then the signal goes out to amplification.
Note: the BOSS RC-5 is only used as a 32bit recorder to record the sessions.
My Guitars
PRS SE CE24 with D'Addario Nickel Wound -
Light Top/Heavy Bottom strings.
Gibson Les Paul Tribute with D'Addario Pure
Nickel Jazz Medium strings.
1959 Gretsch 6124 Anniversary Model single pickup with
D'Addario Nickel Wound - Light Top/Heavy Bottom strings.
With these I use a stainless steel slide and a sustainer. I have both the EBow and AEON
sustainers. I like felt picks but also use my fingers, they create a warmer sound.
My guitars are always tuned in Open C.
above: PRS SE CE24 Charcoal (I sanded off some of the finish and Tru-Oiled it)above: Maximum Gear Setup (the MICROCOSM has been replaced by the BOSS RC-1)above: Minimal Gear Setup
music projects
(the music on my project sites will always be free to listen to)
After much exploring,
I’ve arrived at these distinct projects,
each defined by the gear used.
For detailed gear info click the info icon above.
3T3.ca above: 3t3.ca
The 3T3.ca project uses the Minimal Gear Setup with
a MOOG MOTHER 32 synthesizer.
The MOTHER 32 is recorded into the 16 tracks of a CBA Blooper.
3T3.ca is a mixture of guitar and synthesizer.
3T3.ca is seasonal music and photography.
The site hosts a 20-minute piece.
The new upload replaces the old one, and the photo updates each time.
3T3.ca on Bandcamp
has hour long albums for sale. The albums are the latest nine; earlier albums are rotated out.
intothesky.ca above: intothesky.ca 2025-08-06
The intothesky.ca project is a single long-form ambient piece.
It uses the Minimal Gear Setup without the synthesizer.
Just the guitar, the pedals, a stainless steel slide, an EBow, a felt pick and me standing,
looking out a window at the sky.
jefmorlan on bandcamp above: jefmorlan on Bandcamp 2025-01-05
Then there's jefmorlan on Bandcamp.
This is where posting my music began and they seem ancient now.
It's interesting how quickly things change, no?
There are two album concepts here. First was a woman with a bird on her head
and then sleeping people.
Both of these album concepts use the Maximum Gear Setup with a Gibson Les Paul Tribute
using an AEON sustainer with a stainless steel slide and my fingers.
The difference between the two is that sleeping people only uses the AEON sustainer.
No picking of the strings.